Going into a film by David Lynch is always a fascinating undertaking and Mulholland Drive is no exception, so we will try to guide you step by step in the film with Naomi Watts, Laura Harring, and Justin Theroux, explaining its meaning. Is there a logical explanation of the plot of Mulholland Drive? At Thisisbarry.com, Mulholland Drive explained simply.
Mulholland Drive is a very complex film, a casket of visions and perceptions, an oceanic film, a rush of stories and dreams that converge and that together create a disarming but at the same time logical visual language, for those who know how to enjoy it and have learned to appreciate. And to love David Lynch's abysmal and tortuous cinema.
In his career, Lynch has directed indecipherable and intense films, such as Eraserhead, the first feature film and the cult of grotesque-horror cinema, then The Elephant Man, Blue Velvet, Lost Streets and among these a masterpiece, which is at the center of this analysis (il) logic: Mulholland Drive.
Mulholland Drive is a street in Hollywood, a place where a car accident takes place involving a woman who, due to the collision between the cars, loses her memory. This frightened and wounded woman enters a seemingly uninhabited house.
In the house, he meets the owner Betty's niece, an aspiring actress who has just landed in Los Angeles who decides to host her and help her, despite the woman declaring that she does not remember anything, not even her name.
Despite this amnesia, the woman decides to be called Rita and, together with Betty, they try to understand where she came from and the cause of her memory loss. At the same time, Betty participates in the casting of a film in which she dominates the scene and arouses great interest in the producers.
We assume that the film is structured in three parts, as for 8½, that is dream, illusion, and reality. And it's not always easy to distinguish the three parts, especially since Mulholland Drive is not linear and follows its narrative temporality.
The film in the first part is a dream, a dream that lasts almost 90 minutes, reality corresponds to what happens in the last 30 minutes, after Diane awakens.
After his awakening, however, Diane is prey to hallucinations, sometimes her visions are real flashbacks, which deliberately break up the dramaturgical fluidity: the editing, a determining element within the film, hides and confuses details that are decisive for understanding the film.
During the second part of the film, there are sudden flashbacks and they can be distinguished from the rest by noting the appearance and disappearance of a blue key (different from that of the dream) and a piano-shaped ashtray.
To understand the dream and then the hallucinations, it is first necessary to face and describe the film in a chronological sense starting from reality and its events.
